Curren$y pilot talk 3 openig credits inrumental
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Faison and Holder both won Tony Awards for choreography and costume design, respectively in 1975.
John, costumes by Geoffrey Holder, lighting by Tharon Musser, and orchestrations by Harold Wheeler.
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The production was choreographed by George Faison, with scenic designer Tom H. Harris stayed on as understudy for the role of Dorothy, as did McQueen for the role of Addaperle. The original Baltimore cast included Stephanie Mills as Dorothy, Stu Gilliam as the Scarecrow, Tiger Haynes as the Tin Man, Ted Ross as the Cowardly Lion, and Butterfly McQueen as the Queen of the Field Mice, but in a much smaller role. He replaced the original director, Gilbert Moses, with Geoffrey Holder in Detroit during out-of-town tryouts. The idea for the musical originated with producer Ken Harper. A live television production of the stage version, The Wiz Live!, was broadcast on NBC on December 3, 2015, with an encore presentation on December 19 of the same year. A big-budget film adaptation of the same name was released in 1978, with Ted Ross and Mabel King reprising their roles. It has had revivals in New York, London, San Diego, and the Netherlands, and a limited-run revival was presented by Encores! at New York City Center in June 2009. It was an early example of Broadway's mainstream acceptance of works with an all-black cast. The 1975 Broadway production won seven Tony Awards, including Best Musical. Mechanic Theatre in Baltimore, and moved to Broadway's Majestic Theatre with a new cast on January 5, 1975. It opened on October 21, 1974, at the Morris A. Frank Baum's children's novel The Wonderful Wizard of Oz (1900) in the context of contemporary African-American culture.
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The Wiz: The Super Soul Musical "Wonderful Wizard of Oz" is a musical with music and lyrics by Charlie Smalls (and others) and book by William F. “Fashionably Late” comes with a brilliant, yet subtle, Souls of Mischief reference, and as far as features, the Wu-Tang’s Raekwon is strong on the “Michael Knight” remix while Young Roddy threatens to steal the show during “Flight Briefing.” Highly desirable for Currensy fans who like his material at its most loose and free, just don’t start here.Stephanie Mills (pictured in 2017) played Dorothy in the original 1975 Broadway musical The Wiz. Spacy dreams of flight like the opening “Airborne Aquarium” alternate with more traditional numbers like the street single “Michael Knight,” which is packed with meaningful verses and a memorable chorus. That’s not enough to sway the haters, but fans wouldn’t mind if the underground and alternative rap star got ever more fragmented and narrow, and with the smart and innovative Ski Beatz handling the bulk of the production once again, they certainly won’t mind Pilot Talk II. Some tracks - the few that barely cross the two-minute mark - feel like loose ideas or interludes plus, the overall feel of the album is so blunted, it’s almost a mood piece, designed to provide cerebral hip-hop stoners their perfect soundtrack. Call it anything but Pilot Talk II, and Currensy’s second effort of 2010 is just straight-up solid, but put this sequel up against the original Pilot Talk - released just five months previously - and the nitpicking begins.